CANNES — Martin Scorsese swept into the Cap d’Antibes Beach Hotel down the coast from Cannes on Saturday afternoon with George Harrison’s widow, Olivia. The two have been collaborating on a documentary about the famous songwriter for the past three years and are finally nearing the end of a long and winding road.

Titled “Living in the Material World: George Harrison,” the documentary will take on the whole of the Beatles guitarist’s life before, during and after his time in the world’s most popular and successful band. Producer Nigel Sinclair of Exclusive Media Group, home of the Spitfire Pictures label that will release the doc, was also on hand to provide background and perspective on the forthcoming project.

“Living in the Material World” is a production of Scorsese’s Sikelia Prods., Olivia Harrison’s Grove Street Prods. and Exclusive’s Spitfire Pictures documentary label.

Film also uses never-before-seen footage in tracing the guitarist and songwriter’s life, from his days with the Beatles until his death in 2001. It includes interviews with those closest to him, including Paul McCartney, Ringo Starr, Eric Clapton, Eric Idle, Tom Petty, Yoko Ono and Phil Spector.

“His music is very important to me,” Scorsese said of Harrison. “So I was interested in the journey that he took as an artist. The film is an exploration. We don’t know. We’re just feeling our way through.”

Among other things, Scorsese says he related to Harrison’s quest for “spirituality,” something the filmmaker has explored his whole life, and especially in movies from “Mean Streets” to “Kundun.”

“That subject matter has never left me,” says Scorsese. “The more you’re in the material world, the more there is a tendency for a search for serenity and a need to not be distracted by physical elements that are around you.”

“He always said he gave his nervous system for the Beatles,” Olivia chimes in.

“I’m an outsider on this,” says Scorsese, taking on the project from the perspective of a curious fan. He tells the story of one morning getting ready for school at NYU on the Lower East Side in the early ’60s, when an AM radio DJ announced that he was going to play the very first stateside single of the Beatles. Scorsese says he heard the song and felt it was the first time U.K. pop could really hold up to American pop music.

Scorsese met Harrison several times, first when he, Jack Nicholson and Robbie Robertson knocked on his door in a frantic moment during the filming of “The Last Waltz” in the late ’70s, and then again in the early ’90s.

Olivia finally initiated the current project several years ago because she says she had been approached by numerous production companies, including the BBC, looking to make a documentary about Harrison from the moment he died in 2001. She resisted at first because Harrison had always wanted to do his own documentary using his own archive of videos.

Eventually, she realized it “was something that needed to be done,” and was pointed to Sinclair, who had produced the Bob Dylan documentary “No Direction Home” that Scorsese directed. But still, it was a traumatic experience for her to dig back through all of that history.

“This is a deeply personal journey for me, it’s been excruciating,” she says. “I’ve been archiving for five years — 35 years, really. Throwing cassettes and letters in drawers, little things and pieces of paper that you find that say, ‘Goats on my roof.’ You think, What does that mean?”

She says that during the research period, Scorsese would ask for something from 1945, she would dig something up, and then get lost in old letters, drawings, ideas and reveries. Or she’d come across a lost cassette from 1966 with music she had never heard.

“So that’s been wonderful, but emotional, too,” Olivia says. “But I feel really safe, I feel protected. Marty had a connection with George, and they spent time together. And he’s passionate about film and music as George was passionate about music and film.”

“This is undertaken, not casually,” Scorsese says. “It’s a great deal of reticence and thinking.”

And juggling, since the director was working on it as he developed and shot “Shutter Island.” His editor on the Dylan doc, David Tedeschi, has been working on the Harrison piece as well, and would forge ahead when Scorsese was indisposed on the fiction film. Scorsese notes that their work on the Dylan film stretched from “The Aviator” through to “The Departed.”

” ‘Shutter Island’ took a great deal out of me,” Scorsese says. “This was a form of interest and a really good sense of ignorance — not knowing what you’re getting into. I know the level is deep, and I know at some point there’s going to be conflicts between the projects. But this is a labor of love, it’s not something that has that kind of a deadline.”

So Scorsese spent weekends and margins looking at footage and cuts of the Harrison work, and doing research. “Even though it’s complex and it’s hard to do, in a very complicated way it frees me from the strictures of the feature and makes me think — I hope — a little more clearly about the feature,” Scorsese says of the process. “Because there’s something in these films that had a narrative freedom to them, and it’s something that the features may be going this way, and the nonfiction films are going this way, and somehow you hope they interweave.”

But at this point, Scorsese says that they are moving toward a 2011 release date and nearly have finished a final cut of the second of three parts of the movie.

Olivia and Scorsese acknowledge that their film will feature never-before-seen footage and personal recordings of Harrison’s, as he saved everything and left a ton of material. Scorsese says that all of that personal music led the way to the nonchronological exploration they wanted to take.

“Ultimately, we’re trying to have the development of his own music tell the story, if we can,” he says. “And the images that he shot, that [Olivia] shot, a lot of this is telling the story. There are some famous bits and some very interesting new material.”

Olivia adds: “I think it’s not only about George Harrison, but about how a person moves through life and deals with his own life. And it was a pretty intense life for a young person.”

In addition to his achievements as a master filmmaker and preservationist, Scorsese has now made a number of films — “Shine a Light,” “Last Waltz,” “No Direction Home,” “The Blues” (he was even an editor on the “Woodstock” concert film) — that he is personally building a library of the history of rock.

“We certainly haven’t done it intentionally,” Scorsese says. “We never really intended to make a chronicle of rock music. But the music inspires so much of what I do with my fiction films that they both seem to be blending now. They seem to be interweaving.”



  1. Sophie says:

    How great!! That’s very exciting. And new footage… I wonder if it belongs to Paul or Ringo? They must have plenty rolling around, they were always carrying cameras.

  2. Amy says:

    Wow. Cannot wait for this.

  3. BLJ says:

    Looking forword to seeing this film about my favorite Beatle. Thanks Tammy for posting this info.

  4. Chris says:

    FINALLY!!! I have been waiting so long for the completion of this project. I loved Dylan’s documentary so much. I can’t image how great this is going to be! Bittersweet at least!

  5. beatle55 says:

    it’s about time. it seems like 10 years ago when they first announced they were going to make this doc. i hope they put in alot of footage from his ’74 tour because even though he yelled most of the songs, the musicianship was fantastic. by the way, did you know that georges real name is richard sharkey? love, a friend

  6. Another_Fan says:

    Thank you so much for this article! =D

    Man CAN’T WAIT FOR THIS DOC!! Unseen footage.. Hell yeah!

    “But still, it was a traumatic experience for her to dig back through all of that history.”

    Poor Olivia! =( God bless her for doing this doc!

    ~To beatle55: Ringo Starr’s (I love to call him Ognir haha) real name is Richard Starkey 😉

  7. julio serra says:

    That’s something I’m really looking forward to.

  8. YJ says:

    I can’t wait to see this, sounds great.

  9. Tammy says:

    I’m looking forward to it, but with a little hesitation, the Imagine 1988 film of John was such a let down, it was 90 mins and it seemed most of that was spent on the well worn Beatle years, where as John’s house husband years .. his last five years went for the duration of two songs, so i’m expecting the Beatle pull to win out, i’m hoping for a more balanced view.

  10. AuroraSkye says:

    I am looking forward to this too! I hope that they make it a LONG movie– so they can include as many unseen films as possible. I never knew ’til I read this article above, that George had intended to make a documentary of his own. WOW — I wish he’d been able to live to do that! It makes me sad to think of all we could have seen and all the music etc he still could have done. But still, I sure hope they put a LOT of unseen movies/videos into this movie…. without feeling too much pressure to make it shorter for the general public. (The movie “Gandhi” was around 3 hours and I never got bored watching that film — so I hope they make this Harrison film a long one. (grins) :-)

  11. Harold says:

    WoW!!! Paragraph 10 proves a decades old San Francisco rumor, that George Harrison WAS in town (San Francisco) when Ringo was here to play at the Winterland venue with the Band and film “Martin Scorses’ “Last Waltz”.

  12. beatle55 says:

    to another fan. thats how they had his name on the back of the bubble gum cards that came out in 64 and ’65. love, a friend.

  13. MVG says:

    Can’t wait to see it, but I sincerely hope they’ve included comments from George’s first wife, Pattie. She would definately have interesting and respectful comments. And would contribute new things we haven’t heard before.

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